One of the first works of art to touch upon the subject is the short German poem The Vampire by Heinrich August Ossenfelderwhere the theme already has strong erotic overtones: A later German poem exploring the same subject with a prominent vampiric element was The Bride of Corinth by Goethea story about a young woman who returns from the grave to seek her betrothed:
Ever since, vampire fiction has become a distinct subgenre within the broader category of gothic writing itself. With the technological advancements of the early 20th century, the vampire made its filmic debut, initially in such iconic classics as F. Brite, John Ajvide Lindqvist, Stephenie Meyer, and numerous others reinterpreting, modifying, and elaborating upon the myths and conventions set in place earlier by writers such as Polidori, Le Fanu, and Stoker.
Appearing and reappearing in fiction at specific historical junctures, the fictional vampire is inflected with a particular set of cultural, political, and economic meanings.
It is some of these meanings that academic criticism has sought to determine, resulting in so many critical readings that are, in their sheer volume, almost as monstrous as the beings they aim to analyze. Pre-History of the Fictional Vampire Although the vampire, from the middle of the 19th century onward, was largely a prose-based phenomenon, its English literary origins might be said to lie not in fiction but in the poetic output of Romantic writers such as Robert Southey in Thalaba the DestroyerLord Byron in The GiaourSamuel Taylor Coleridge in Christabeland John Keats in Lamia Though the monstrous figures to which these Romantic poets give form are not always vampiric in the most recognizable sense of the term, they do, nonetheless, possess some of the uncanny features that later 19th-century fictional vampires would come to portray.
For a good selection of primary texts containing vampires and vampire-like beings in Romantic-era poetry, consult Franklin Much of the early academic critical attention that the literary vampire would receive made much of the anthropological, mythological, and historical antecedents to the phenomenon.
Though now considerably dated, both Praz and Summers offer a number of useful points of departure. The Longman Anthology of Gothic Verse.
Pearson Education Limited, Translated by Angus Davidson. Oxford University Press, Though not wholly concerned with vampires, this book is, after Summersone of the earliest academic treatments the topic received.
His Kith and Kin. Kegan Paul, Trench, Trubner, A rich source of historical detail concerning vampires, the study ends with a chapter on the vampire in literature. Users without a subscription are not able to see the full content on this page.
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How to Subscribe Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here.With the modern age of vampire tales, it seems only natural that the vampire lairs would move on to the New World.
New Orleans has some of the most fascinating cemeteries in the world, one reason why it is beloved by vampires and vampire fans alike. /5(3). Romanticism Essay Words | 6 Pages Romanticism Romanticism is a movement in the arts that flourished in Europe and America throughout much of the 19th century from the period of the French revolution in Modern-Day Racism in America Essay words - 6 pages the south, some white citizens showed resistance, causing riots and protests.
On August 26, , a mass of , Civil Rights supporters rushed Washington D.C. to support President Kennedy’s equality efforts. Vampires Essay; Vampires Essay. Summary: ' Vampire Wolf ' Dracula is the quintessential example of modern vampires and has a significant and lasting impact on the genre of vampires.
To the extent that some people believe that zombies can one day exist and vampires are just a fantasy. But people have lost their history, in many.
Essays that examine teaching Romanticism in the context of popular culture, and a debate entitled "Presentism versus Archivalism." Edited by Laura Mandell and Michael Eberle-Sinatra, essays by Phillip Barrish, Ron Broglio, Jay Clayton, Jon Klancher, Jerome McGann, David Simpson, Atara Stein, Gregory Tomso, Ted Underwood.
vampire, in folklore, animated corpse that sucks the blood of humans. Belief in vampires has existed from the earliest times and has given rise to an amalgam of legends and superstitions.